The mallari is a  traditional Indian musical form that has been an integral part of temple rituals for centuries. Originally performed as a prelude to the grand procession of the temple deity, the mallari has evolved over time and added to the Bharatanatyam repertoire. Mallaris are of varied types based on the ritual being performed. It is said that during Shiva Tandavam, his anklets gave rise to the syllables , “Tha Dhi Tom Nam”, forming the basis of the percussion instruments and of the Mallari. 

Characteristics:

• Jathis executed in all three speeds, and rhythms to evoke energy and enthusiasm
• Intricate musical patterns that showcase the artist’s skill and creativity
• Nuanced percussion accompaniment that adds depth and complexity

Role in Bharatanatyam:

In a Bharatanatyam margam (recital), the mallari serves as a majestic opening piece, setting the tone for the entire performance. It is a welcoming of the auspicious, a salutation to the gods, and an invocation of the blessings of the audience.

Evolution and Adaptation:

From its roots in temple rituals to its modern expression in Bharatanatyam, the mallari has undergone a remarkable transformation. Its adaptation into the Bharatanatyam repertoire has not only preserved its traditional essence but also infused it with new life and creativity, making it a unique and captivating musical experience.